Boeing has identified a 737 MAX software glitch that could cause an automated navigation feature to fail, prompting concerns about a potential safety risk while planes are landing (on.wsj.com)
Golden Corral scrutinizes buffet waste, marries costly shrimp with cheaper hush puppies and mines data to make money off bottomless offerings (on.wsj.com)
The Supreme Court on Friday allowed the federal government to deploy its own immigration database to check voters’ citizenship. Here’s what else to expect as the Trump administration pushes to expand its role in elections. (on.wsj.com)
OpenAI said its artificial-intelligence agents engaged in rogue behavior on the Commerce Department and Securities and Exchange Commission websites (on.wsj.com)
CNN said it was pulled from a planned trip with President Trump for Saturday, the second time in less than a week that the news network was barred from a scheduled rotation in the TV press pool (on.wsj.com)
President Trump’s approval rating drops to 37% in a WSJ poll, the lowest of any president heading into a midterm election in Journal polls dating to 1990 (on.wsj.com)
Iran’s Bitterness and Bewilderment Over How to Make Peace with Trump - After a heated week at the U.N. General Assembly, a new ceasefire proposal came and apparently went. (www.newyorker.com)
Nolan Wells’s Family Still Wants Answers - A Mississippi grand jury declined to bring charges in connection with the death of a Black teen-ager during a boating trip, but it’s still unclear exactly how he died. (www.newyorker.com)
Taryn Simon’s Father Figures - In a new show at the Guggenheim, the artist grapples with patriotism and patriarchy through the long career of an anonymous F.B.I. agent. (www.newyorker.com)
Are Public Spaces Really for the Public? - A group of locals is trying to reclaim city spots for the people—including lobbying to turn vacant lots into gardens and fighting the event venue Guastavino’s over a courtyard. (www.newyorker.com)
The Teen Portraits That Captivated Sofia Coppola - Joseph Szabo’s pictures capture American adolescents’ spontaneous presence and loose-limbed, insouciant grace. (www.newyorker.com)
A Night Living in Penn Station - For the outreach workers trying to place homeless New Yorkers in shelters, each evening presents familiar faces and fresh challenges. (www.newyorker.com)
Susan Collins’s Maine Money Machine - The senator uses her seniority in Congress to bring significant resources to her state. Is that enough for voters who hate her party? (www.newyorker.com)
Ari Emanuel on Donald Trump, Elon Musk, and Mixing Business with Politics - The entertainment agent and executive talks with David Remnick about his dealings with the President, the tech mogul, and Mohammed bin Salman, and operating within “shades of gray.” (www.newyorker.com)
The New York Film Festival, Week One: Better Late Than Never - This year’s prime offerings include the festival début of an overlooked great director and startling new work by acclaimed filmmakers. (www.newyorker.com)
Min Jin Lee on “American Hagwon,” Her First Novel After the Phenomenon of “Pachinko” - The author talks with David Remnick about leaving corporate law to become a novelist, and making Korean culture and experiences legible to readers around the globe. (www.newyorker.com)
The Predator Catcher Turns Predatory in “Primetime” - A dazzling, wolfish performance from Robert Pattinson anchors Lance Oppenheim’s period piece about the rise and fall of a reality-TV host. (www.newyorker.com)
The Sublime Somi Bridges African and Western Jazz - Also: David Greenspan and Lupita Nyong’o onstage, the found-object art of Narcissister, a Hong Kong-born filmmaker’s exploration of family history, and more. (www.newyorker.com)
“Resident Evil” Is Fun, but Soulless. What Else Could It Be? - Zach Cregger has made a great video-game movie, in part by leaving out the things that make a Zach Cregger movie great. (www.newyorker.com)
The Week Republicans Finally Panicked About Trump - The President’s party, facing a midterm reckoning, is begging for a way out of his Iran-war doom loop. (www.newyorker.com)
Gut Renos of Ionesco and Chekhov - In “Delirium” and “The Cherry Orchard,” experimental directors smash up and rebuild classic plays. (www.newyorker.com)
What Survival Stories Tell Us (and Should We Listen?) - Tales of human resilience in nature bring the thrill of the wild to the comfort of the couch. In our hyper-developed day and age, why do we return to stripped-down tales of survival? (www.newyorker.com)
There Is No A.I. “Race” - We’re constantly told that Chinese advances would have catastrophic consequences. But the first to innovate is rarely the one who wins. (www.newyorker.com)
How MAHA Tore One Family Apart - As measles cases reach a thirty-five-year high, disagreements over vaccines are putting new strains on families—and bringing the politics of MAHA into the home. (www.newyorker.com)
“NAZA” Puts Israel Face to Face with the War in Gaza - In this documentary, Israeli military and intelligence sources reveal systems, policies, and practices that have resulted in high numbers of civilian deaths and widespread destruction. (www.newyorker.com)
What China’s Vibe-Coding Capital Can Tell Us About the A.I. Boom - Tech workers have flocked to Liangzhu, a small town outside Hangzhou, looking to escape China’s corporate culture and build their future with A.I. (www.newyorker.com)